I've wondered how these differ from home DLP/Displays.
- How do they display (resolution/24hz??)
- How come people do not see rainbows?
- Are they Calibrated professionally?
Just was curious, especially the first question.
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I've wondered how these differ from home DLP/Displays.
- How do they display (resolution/24hz??)
- How come people do not see rainbows?
- Are they Calibrated professionally?
Just was curious, especially the first question.
Let me try answering these
- How do they display (resolution/24hz??)
Most digital cinema projectors do a multiple of 24... like 72 or 96 so you don't see flicker.
- How come people do not see rainbows?
You don't see Rainbows because most digital cinema projectors are 3 chip DLP's...the rainbow effect comes from having a color wheel on a single chip DLP
- Are they Calibrated professionally?
From what I know the answer is YES..I have a close friend who works for the Academy of Motion Pictures and this is what he has told me.
Now...digital cinema projectors calibrate way differently then Home units. On digital cinema projectors you shoot the white point and the primaries input the x,y values and the projector does the rest...kind of cool.
Hope this answers your questions.
Later
RayJr
Serving the Greater Los Angeles Area
THX Video Certified - Certified Audyssey Installer
Los Angeles HT Group
My Media Room
gadgtfreek (07-31-2011)
Thanks Ray! So other than a full home setup calibrated properly, it's the best way to see a move.
What do these 3chip PJ's cost? Bet the screen aint cheap either![]()
Well...some thing like a Christie HD3K is around $25,000
That could be used for Home Theater
Later
RayJr
Serving the Greater Los Angeles Area
THX Video Certified - Certified Audyssey Installer
Los Angeles HT Group
My Media Room
Hi Guys,
I have been calibrating Digital Cinema grade 3-chip DLPs for years now for very upscale clients. Ray is right on every point. Actually the calibration process that he describes is a TI (Texas Instruments) utility built into the light engines that the PJ manufacturer has to enable. In fact, I own a Samsung SP-A900B 1-chip DLP projector designed by Joe Kane that uses the same utility. Calibration produces extremely accurate results with this method, and in the case of my Samsung I also get a 5400K grayscale for Black & White material automatically. It is brilliant. Also interestingly enough Samsung had this utility built into their 1-chip DLP RPTVs years ago. They were amazing!
Kevin Miller
ISF Co-instructor
TweakTV Co-Founder
Email: kevinm@tweaktv.com
HDTV Product Development Consultant
gadgtfreek (07-31-2011)
http://www.christiedigital.com/img/P...ctor-Main1.png
Here is a 2K that seems to be in use broadly across the country
Brightness (measured at screen center)
Light output meets SMPTE standard 14fL (film 16fL open gate) for screens 30.48m (up to 100ft)
Contrast Ratio
2100:1 (full field)
450:1 (ANSI)
Brightness Uniformity
70 when displaying full white screen
TI DLP Cinima™ Technology
CineBlack™ Contrast Management
CineCanvas™ Image Management
CineLink™ Security Management
CinePalette™ Color Management
Digital Micromirror Device™
2K 3-chip DMD DLP Cinema®
2048 x 1080 pixels
Input Line Voltage
208 VAC/60Hz, 3-phase
400 VAC/50Hz, 3-phase
Color Processing (bit depth)
45 bit (3 x 15-bit resolution)
Number of Colors
35 trillion
Digital Video Input
Two (2) SMPTE 292M; selectable dual or single
Two (2) DVI, twin or single
HD Video Formats
1920 x 1080 @ 24P or 24psf (ie. MPEG-2, MXF-Interop format)
2048 x 1080 @ 24P or 48P (DCI-compliant)
A variety of alternative content formats also supported - contact your Christie sales representative for details
Zoom Lenses
1.25-1.45:1
1.45-2.05:1
1.6-2.4:1
1.8-3.0:1
2.15-3.6:1
3.0-4.3:1
4.3-6.0:1
5.5-8.5:1
Auxilary Lenses (optional)
1.26:1 (for scope format)
Screen Size
Up to 100ft/30.48m
Xenon Lamp Type
CDXL 2.0kW - 6.0kW
CDXL-60SD
Ballast
2kW - 7kW Switching
Reflector
F/1.5 High Performance Compound Glass Reflector
Security Locks
Operator's side door, projector front top cover
Internal Rack Space
8RU rack space
Douser
Electronic douser
3-Axis (X, Y + Z) Automatic Lamp Alignment
Christie LampLOC™
Ambient Temperature
0-35°C (32-95°F)
Overall System Weight with Pedestal
505 lbs/229 kg
Regulatory Approvals
CAN/CSA - C22.2 No 60950-1-03 First Edition, UL 60950-1:2001, IEC 60950- 1:2001
505lbs![]()
You are correct on the Samsung DLP RPTV..I had a Samsung years ago..and my first venture into the service menu I was lost...till it was explained to me....after that I loved there correction system..think it was called "CCA"
Guess all the info that I got from my buddy in the commercial cinema industry was right.![]()
Later
RayJr
Serving the Greater Los Angeles Area
THX Video Certified - Certified Audyssey Installer
Los Angeles HT Group
My Media Room
Serving the Greater Los Angeles Area
THX Video Certified - Certified Audyssey Installer
Los Angeles HT Group
My Media Room
Check out film-tech.com for info such as these. I've seen many DCI PJs go for 100k easy. One of my favs is the Barco DP2K-2.
Reference or Bust
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